arri ultra prime 40mm

See the various perspective results of different Signature Primes focal lenghts at varied distances to the camera. Ranging from 12mm to 280mm, the ARRI Signature Prime lenses offer a unique look never seen before in cinema. Servant takes place almost entirely in one house, so we needed to use very small sources hidden in the set, which when combined with large sources from the outside, helped create just the right environment for this show. Cinematographer Gennady Uspangaliev (Known for: My Personal Island, The Rules and many more). The 40mm is a mid-range entry in the comprehensive array of Ultra Prime focal lengths from 8mm to 180mm. ARRI has shared LPL specifications openly and free-of-charge across the industry, establishing the LPL lens mount as a standard interface between cameras and lenses. The 40mm is a mid-range entry in the comprehensive array of Ultra Prime focal lengths from 8mm to 180mm. In my opinion, Signature Primes have a wide range of features to suit any need, whether it be shooting commercials, music videos, or feature films. Wow, what a beautiful lens, brilliant skin tones! The celebrated cinematographer Roger Deakins CBE, ASC, BSC joins ARRI to give his feedback on ALEXA Mini LF, Signature Prime lenses, and the TRINITY stabilizer, all of which he used on director Sam Mendes new film, 1917., When the ALEXA LF and Signature Primes were launched in Australia, ARRI entrusted the new camera and lenses to cinematographer Kieran Fowler NZSC, ACS and director Nik Kacevski. Varying portrait lighting illustrates the humanity, color and exceptional clarity of the ALEXA LF/ARRI Signature Prime combination. Lens: UltraVista Anamorphic Lenses from Panavision. ARRI LPL lens mounts are available for ALEXA65, ALEXA35, ALEXALF, ALEXAMini LF, ALEXA Classic/XT/SXT, ALEXAMini and AMIRA cameras. Lens: Zeiss Radiance. ARIRAW footage recorded before such an update benefits as well as it can be re-processed through an updated pipeline. The Ultra Primes were developed through a collaboration between ARRI and Zeiss, with Zeiss undertaking manufacturing. Monitors Teleprompters Software & Hardware. ARRI Ultra Prime 40mm T1.9 - PL - cvp.com The scales can easily and clearly be read from both sides, as can be the focal length. As a DP I am able to explore areas I wasnt able to before. Camera: RED Ranger Monstro Format: Sony X-OCN/4K Camera: Sony Venice With Judy and Behind the Candelabra as our reference points, I turned to Guy McVicker at Panavision to customize the optics on a set of modern Primo 70s. ARRI is releasing Signature PrimeSoftware Update Package 2.1,includingLens Firmware LMCV2.1,Lens BootloaderV1.5 andSensor FirmwareV2.06. Glimmer Glass filters remained part of the camera package because they help create a nice glow for the high lights and are really flattering when shooting close-ups. The way out-of-focus areas look with the Signatures is one of the reasons why I want to keep using them. The overall length is constant over the entire focusing range. LDS Ultra Prime Lenses. 2023 IndieWire Media, LLC. In Stock for Immediate delivery. Given the setting and the nature of a conversation piece, the fact that most of this episode plays out on the faces of these amazing actors we chose film to capture rich skin tones that can help us create powerful close ups. To me, the system embodies typical ARRI quality, but there is a new level of emotion to the imagesa smoothness to the way the camera and lenses work together. Unfortunately we no longer sell this product The product details shown, are provided for historical reference only. ARRI | Ultra Prime Lens Exceptionally compact and lightweight ARRI 8mm Ultra Prime Lens retain its superior image quality even at close focus across the whole Super 35 frame. Matthew Jensen: The original trilogy was shot on anamorphic lenses and has a specific, controlled, and composed grammar which we were hoping to emulate on The Mandalorian. That aesthetic reason combined with the nature of our virtual sets, which were projected on LED screens surrounding our characters, drove the decision to choose a camera format and a lens package which had very little depth of field. Lens: Leitz Summilux-C. Ben Richardson: I designed the cinematography of Mare of Easttown around the faces of our beautiful and varied cast. Nowadays the ALEV III comes to live in different camerasand shapes: ALEXA65 uses the A3X version -a65mm sensor - whereas ALEXALF and ALEXAMini LF use A2X, the slightly smaller variant that covers a little bit more than "full frame". Alle Preise sind Nettopreise, zzgl. Bausch & Lomb Cine Lens by Alan Gordon Inc. ENTANIYA HAL250 F4.3, 250 Fisheye Professional Cine Lens, EF-Mount, Image Circle Diameter 17.0 mm @250, 13.1mm @180. I felt it was important to be able to capture all the sumptuous detail and textures that were offered to us from the sets, costumes, and locations. When Films at 59purchased full-frame cameras there was only one real lens choice, and that was the ARRI Signature Primes. . ARRI / Zeiss Ultra Primes Key Features Large Range of Focal Lengths Constant T1.9 Aperture Lightweight and Compact Design Great Close Focus Capablity Covers: SUPER 35 Add To Rental Enquiry Set Options The Ultra Primes were developed through a collaboration between ARRI and Zeiss, with Zeiss undertaking manufacturing. It really provided an excellent canvas on which to collaborate with production designer Jordan Ferrer, and for the directors and actors to have freedom. Unser Angebot richtet sich an gewerbliche Kunden, Selbstndige und Freiberufler. (K2.47317.0) Carl Zeiss Planar 40mm / T1.9 metric (metres) scale 35mm ULTRA PRIME lens with PL mount / 95mm front OD used-arri_k2.47317.-8928269 / K2.47317. Used ARRI Ultra Prime 40mm T1.9 - PL Used ARRI K2.47329. der bei Rechnungsstellung geltende gesetzliche Collectively, the clips demonstrate the smooth Cinematographer Ben Davis BSC shared his creative processes on Martin McDonaghs film The Banshees of Inisherinduring a Q&A at the 2023 BSC Expo a seminar sponsored by ARRI. All Rights Reserved. Camera: Arri Alexa LF Below we have compiled a list of lens mounts and lens mount adapters you can use to bring the Signature Look to your camera. The balance of attributes in their optical design is staggering: super high resolution combined with a soft and easy-going presentation of detail; gentle flare and bokeh qualities; a cinematic attention to geometry; great close focus; lack of breathing and zero axial chromatic aberration. MOD from sensor plane (minimum marked distance), Entrance pupil position (related to image plane, in direction to object), ARRI Signature Prime 280/T2.8+ 1.7x Extender, Extender: 53,8mm / 2.1'' - Extension by Extender: 36,8mm / 1.4'' - Lens + Extender: 314.8mm / 12'', Extender only: 115mm / 4.5'' including handles - 135mm / 5.31" with lens, Extender: 0.58 kg / 1lb 4oz - Lens + Extender: 4.9kg / 10lb 13oz. The out-of-focus candles looked amazing, a perfect circle that I thought ideal for the overall romantic feel. Lens: Panaspeeds. You also agree to terms of use https://mailchimp.com/legal/terms/ and privacy policy https://mailchimp.com/legal/privacy/ set out by Mailchimp, whose service we use to provide these newsletters. I intentionally shot mundane subjects I wouldnt normally cover, and the results got me really excited. Below are the full details of the publicly accessible ARRI events and activities at the festival this year. Name: ARRI Signature Prime 125/T1.8. Technical Data of ARRI Signature Prime | Lenses | ARRI By signing up to our newsletter you agree to Digibroadcast using your personal data in accordance with our privacy policy Be informed of new stock, sales etc. ARRI Master Anamorphic lenses are available as well from ES Broadcast. I lovethe look of the Signature Primes. Combining the Alexa with the Zeiss lenses was exactly the formula for Fargo Season 4. Read More Availability: In Stock for Immediate Delivery Warranty: 90 Days Warranty Included Also Available: Used ARRI Ultra Prime 135mm T1.9 - PL - 6,500.00 Used ARRI Ultra Prime 135mm T1.9 - PL - 6,500.00 Format: 4k UHD proRes 4444XQ Learn more: http://www.arri.com/largeformat, Tom Fhrmann BVK uses ALEXA LF and ARRI Signature Prime lenses to document the creative preoccupations of an architect, which bear striking similarities to those of a cinematographer: light, texture, detail, and the expression of emotions through practical skill. CinematographerLuca Bigazzi (known for: The Great Beauty, Youth, Cheyenne - This Must Be the Place and many more), Bruno Delbonnel,AFC,ASC (Film credits include: AVery Long Engagement, The Ballad of Buster Scruggs, Harry Potter and the Half-Blood Prince, Inside Llewyn Davis and many more), Remi Adefarasin,OBE,BSC (Feature Film credits include: Elizabeth, Band of Brothers, Me Before You and many more), Andrew Lesnie,ACS,ASC (Feature Film credits include: The Lord of the Rings Trilogy, King Kong, Rise of the Planet of the Apes, I Am Legend and many more), Find out which matte box you can use with which ARRI lens to avoid vignetting. Used ARRI Ultra Prime 40mm T1.9 - PL - CVP Speak to us today about your requirements. This choice was made due to the lenss extreme light weight. RF-Mount is commonly found on Canon mirrorless cameras and video cameras such as the EOS C70. The Ultra Prime lenses are . You can find our community on the plattforms listed above. The Arri Mini and Leica Summis are the perfect choice for the creamy, cinematic look. ". Cinematographer Josua Stbler recently limited his kit to the widest and longest lenses in the range for ARRI's "Taste of Freedom" showreel. Handsomely crafted glass that I found I could really lean into and the results were always sleek and flattering. Adriano Goldman: We had this idea, from very early prep for Season 1, that we would change the lenses every time wed change cast. Buy - ARRI K2.47329.0 (K2.47329.0) Carl Zeiss Distagon 40mm / T1.9 MwSt./ex VAT) The inspiring short film Grace was accomplished by DP Dennis Zanatta ABC in harsh environments in the New Mexico desert with ALEXA35, Signature Prime lenses, and ARRI Orbiter. WorkflowThe concept behind the term "workflow" is the digital film lab. (K2.47329.0) Carl Zeiss Distagon 40mm / T1.9 imperial (feet) scale 35mm ULTRA PRIME lens with PL mount / 95mm front OD used-arri_k2-47329--8947981 / K2.47329. including: special RED-EF-Mount; Aperture-Blades for F2.8, F4, F5.6, F8, F11; Tool-Set. IndieWire is a part of Penske Media Corporation. Cinematographer Hyuk-Jun Yoo (known for: Leverage, Oh My Babyand many more). For this reason, I chose the Zeiss Supremes and shot them fully open at T1.5 to create a polished cinematic look, but not too sharp and digital. Learn more about ARRI Signature lenses at From extreme wides to extreme longs ARRI Signature Primes are the best choice for a classic, beautiful look thats matched across all focal lengths from 12 mm to 280 mm. The 2023 Oscar winners in Best Picture, Best Cinematography, Best International Feature, and other categories put their trust in ARRI technology. LDS-2 extends the possibilities of lens data and can belicensed to other lens and camera manufacturers. For this to happen the lens has to sit precisely where itshould be, responsible for that is the lens mount.Get to know all our lens mounts and find out what makes our new LPL mount unique! The Signatures have become an industry standard in record time. The Ultra Primes provide a compact, lightweight, optically-matched complement to the higher-speed ARRI Master Prime series. *ARRI assumes no responsibility with regard to an inaccuracies of given information. Cinematographer Man-Ching Ng, HKSC (known for: Rise of the Legend, Rigor Mortis, Infernal Affairs II & IIIand many more). Neville Kidd: The Alexa 65, with its large format sensor, was perfect for the world of The Umbrella Academy. I wanted it to feel as close to the human eye as possible, and then add enhancements through a depth of field fall off with the wide angle lenses, which helps give the series a cinematic look in combination with the large format. with a front diameter of 95mm and close focus at 1 1/4'. Whether for a movie, TV series, or commercial, the timeless look of ARRI Signature Primes adapts to different styles and situations Signature Prime lenses were designed to offer a timeless and unique look never seen before. Cinematographer Zac NicholsonBSC (known for: A Boy Called Christmas, The Personal History of David Copperfield, Misbehaviour,All Is True and many more). ViewfindersOur viewfinder are specifically designed to meet the needs of professional camera operators by offering an extremely fast image display, high image quality, accurate color reproduction and a number of features inherited from our optical viewfinders, including surround view. Learn more: https://www.arri.com/largeformat ALEXA LF with 125 mm ARRI Cinematographer Wang Yu navigates the atmospheric studio and creative inspirations of the celebrated Chinese artist and furniture-maker, Shao Fan. Ultra Primes range span from 8R extreme (8mm) wide-angle lens to the most advanced telephoto lens designed specifically for motion pictures, the Ultra Prime 180 (180mm). Format: 2.39:1 Anamorphic wide screen, ProRes 4:4:4 XQ With large format I am getting images that are halfway between spherical and anamorphic, which fits certain narratives beautifully. Signature Primes are the closest lenses to how I see things in reality. Aided by the versatile camera combo of the ALEXAMini LF and ARRI Signature Prime lenses, cinematographer Michael Dwyer melds documentary and cinema in Justin Biebers new video Intentions. Format: 3.5 k 2:1 anamorphic Lens: Panavision Ultra Vista 1.65x Anamorphic. After doing a lot of tests, I chose the Signature Prime lenses, because they give me more freedom and preserve the structure of a large-format portrait that our film needed. DP Thomas Hardmeier and gaffer Laurent Hritier talk about their experience with the ALEXALF, ALEXAMini LF, ARRI Signature Primes, and SkyPanels on Jean-Pierre Jeunets Bigbug for Netflix. Cinematographer Tey Clamor, LPS (known for: Isa PaWith Feelings, Us at the End of the Year , The Girl and the Gunand many more). Uniform overall length of the main focal lengths. We didnt want our show to look like it was actually made centuries ago, as so much of what the show speaks to is still in our present experience. Features of 40mm Ultra Prime Lens Super colour matched with Master Prime, and Alura Zooms and constant position of scales Floating elements for outstanding close-up performance Widest focal length range: 8 - 180 mm Covers Super 35 Superior close focus ability Genuine internal focus for sensitive focusing The Signature Primes are hyper sharp but they have a smooth roll off so they dont feel that way. 16 high performance prime lenses offer the widest set available: from the Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want. ARRI 8R 8mm T2.8 Ultra Prime Lens - ES Broadcast Lens MountsGreat images derive from great lenses with theirindividual touch to the image. Warm, smooth skin; open shadows with crisp blacks; andbokeh like looking through a window in the rain. For the tough night sequences shot on difficult terrain, our wise gaffer Christian Epps had some Arri 360 Skypanels above the forest canopy with a little green to replicate a soft sickly moonlight, which combined well with the red flares of the finale. Mehrwertsteuersatz. Buy Arri Ultra Primes 40mm, used at Digibroadcast UK. The image quality is sharp and clean, but still extremely natural looking. Javier explains the advantages of large-format cinematography and shares his experience of shooting with ALEXA Mini LF and Signature Primes. T1.8 allows for a very shallow depth of field and they have a very nice focus roll off. Used Prime Lenses - Puhlmann Cine For this story, we used mainly wide-angle lenses and hard lighting. The Arri / Zeiss 40mm Ultra Prime Distagon T1.9 weighs 2.2 lbs. Sign up for newsletter today, Copyright 2019 Lemac Films Australia PTY LTD |, https://www.lemac.com.au/site/DefaultSite/filesystem/images/rentals/up-set-2.jpg, 16mm, 24mm, 32mm, 50mm, 85mm, 100mm, 135mm, 16mm, 20mm, 24mm, 28mm, 32mm, 40mm, 50mm, 65mm, 85mm, 100mm, 135mm. Find out more by contacting ARRI Rental. and many more). 75mm, T1.3, PL-Mount, dual scale (feet and metric), Tokina Macro Cine Lens rehoused by GL optics, 16mm, T1.3, PL-Mount, dual scale (feet and metric), 32mm, T1.3, PL-Mount, dual scale (feet and metric), 18mm, T1.3, PL-Mount, dual scale (feet and metric), Schneider Kreuznach Xenon FF Cine Prime Lens, Kinoptik 100mm, f2 Cine Lens with PL-Mount. To capture the cinematic vignettes for our feature documentary, we turned to ALEXAMini with ARRI Signature Primes. Line by line for every format, sensor mode and lens illumination. CinematographerMichael SeresinONZM,BSC (Known for: Harry Potter and the Prisoner of Azkaban, Mowgli: Legend of the Jungle,Dawn of the Planet of the Apesand many more). Additional focal lengths available: 8, 10, 12, 14, 16, 20, 28, 40, 65, 100, 135 and 180mm. Cinematographer Keiko Nakahara (known for:The Jane Austen Book Club,Shakuntala Devi,Tanhaji: The UnsungWarrior and many more). However, they give you such a powerful and discrete softness around edges that its sometimes hard to believe what youre looking at, even when you use them wide open. DigiBroadcast Registered office DigiBroadcast Co.LTD, Unit 15d, Oakcroft Road, Chessington, Surrey, KT9 1RH Company Registration Number 4344776 VAT no. We made the sets 360 degrees, with lighting integrated into the ceilings so we could look in any direction. They are extremely sharp, high-contrast lenses, and they are very resistant to flaring and ghosts. I think they put a lot of interesting ideas in those lenses. It allows us to keep the frame, have the actors interact without cutting, and still get close enough to their faces when we needed to. Expert advice and a full range of help and support services come as standard to all our customers. Format: 6K resolution, 2:1 frame ratio, spherical format Errors and changes excepted. Buy Used Cine Camera Lenses | MPB The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. ARRIs Signature Primes are an example of perfection in lens design. Morad and Evgeniya Abdel-Fattah had a few impressive test runs with the new ARRI Signature Prime range of lenses. From warm, smooth skin tones to soft bokeh and delicate flares, ARRI's Cinema Lens Specialist Art Adams shows you the four unique characteristics to look for in the new Signature Prime lenses. ARRI Signature Prime 150/T1.8. Idesignedshots to lookdirectly into the sun. I loved the large aperture, the shallow depth of field, and the way it produces a cinematic look and feel. Ive loved shooting on RED ever since I graduated from film school and raised funds with my best friends to invest in a RED ONE, so I knew I would feel at home shooting on the DXL2s RED MONSTRO sensor. For technical clarity and sharpness, nothing compares to Ultra Primes. Key grip Gary Hymns tells ARRI how he, cinematographer Sir Roger DeakinsCBE,ASC,BSC, and the camera and grip crew worked with MAXIMA on Sam Mendes new film Empire of Light., Cinematographer Arvind Kashyap speaks to ARRI about working in large format on the challenging location shoot of director Rishab Shettys action thriller Kantara.. The movie was captured with an ALEXA Mini LF and ARRI Signature Prime lenses supplied by ARRI Rental. For one of my most recent projects, I used a special helmet with the camera (SonyVenice) and Signature Prime 21. Despite inclement weather conditions and a variety of indoor and outdoor settings, DP Julien Hirsch was able to discover the flexibility and simplicity of the ALEXAMini LF on one of his latest projects. Z-Mount is commonly found on Nikon mirrorless cameras. All rights reserved. Unser Angebot richtet sich an gewerbliche Kunden, Selbstndige und Freiberufler. James Laxton: Visually it was important for us to give a sense of scale while also emphasizing the intimacy of Coras (Thuso Mbedu) life. Using ARRI Signature Prime lenses along with ARRI SkyPanel, Orbiter, and ARRIMAX lights, cinematographer Italo Petriccione captured The Return of Casanova, a story with changing time periods and color designs. What's more, the lenses have a T-stop of T1.8 which makes the depth of field more varied, allowing us to create interesting images. Explore more: https://www.arri.com/largeformat. . We are closed on Thursday, June 8th due to a public holiday. 6,500 7,800 inc VAT Add to Basket Condition: Used - Very Good - Used with very minor signs of wear and tear. Director Paul Mignon (known for: Patagonia, Pampa, Norte and many more). Camera Op Sophie Bruza shootingBuying Hercaptured with ARRI Signature Primes and ALEXAMini LF. Overview; ARRI Anamorphic Ultra Wide Zoom; ARRI Ultra Wide Zoom; Lens Mounts & Adapters. Daily Headlines covering Film, TV and more. The Ultra Primes feature a large illumination circle, meaning that not only do they all look fantastic when shooting in Super35, but when shooting in large format such as ARRI Alexa LF 16:9 focal lengths 20mm and longer will cover. Last but not least, I was lucky enough to work again with camera/steadicam operator Ari Robbins, who teamed up with Jorge Sanchez to bust out some tasty moves on his new Trinity rig. For example, one act ending had Zoey in a tiny prison cell, and its hauntingly sad for the brief moment we could show it. I see in it a real option that refines the staging and the image. The strength of this series is our characters tackling these hard conversations, head on. Format: ProRes Log-C Lens: Arri Master Anamorphics (flare module on 75, 100, 135mm) with additional shots on Sigma Cine T1.5's, Angienieux Optimo Anamorphic 48-580, and Nikkor primes for the a7s. ARRI Ultra Prime 40mm T1.9 Lens (PL, Feet) B&H # ARUP40T19F MFR # K2.47329.. Key Features. The timeless look of Signature Primes will never go out of style. The first anamorphic studio movie was How to Marry a Millionaire (the second was Ben Hur). Ultra Prime Lenses - ARRI ARRI Signature Prime lenses enhanced my creativity, adding space to depth of field and body to structure. Remarks: 1) Close focus distance is measured from the image plane All Rights Reserved. Indonesian DP Batara Goempar ICS shares how he brought out the subtle emotions and calibrated nuances behind Before, Now & Then through immersive images captured with the ALEXALF and Signature Primes. Shooting wide open with ARRI Signature Prime lenses for shallow focus and gorgeous bokeh, cinematographer Matias Boucard works purely with natural light and available sources. Cinematographer Maxime AlexandreAIC (Known for: The Haunting of Bly Manor, Shazam!, The Nun and many more). ARRI Build QualityAlmost a century of experience, an obsessive attention to detail and an intimate familiarity with the conditions on set have led to generations of ARRI cameras that are robust, reliable and simple to operate - all features that our digital cameras have inherited. Cinematographer Daria dAntonio shooting The Hand of God. 14mm, T1.3, PL-Mount, dual scale (feet and metric), ARRI Master Anamorphic 75mm, T1.9, PL-Mount, Imperial and Meter Scale, used, in excellent condition, sale on behalf of client, Full Frame 65mm, Macro, T2.4, PL-Mount, Metric Scale, including: Learn more: https://www.arri.com/largeformat, For this inspiring short film on loss and friendship, cinematographer Logan Schneider paired the organic, silky nature of Signature Primes with ALEXA LF for unprecedented clarity to humanize a robot and immerse the audience. Copyright 2023 ARRI AG. By signing up to our newsletter, you agree to ES Broadcast storing and processing your data for the purposes of providing the information service you have requested. The intent was to embrace and adore every freckle and line, hair, and crease, and create an intimate portrait of both Easttown itself and its occupants. For SonyVenice, please see section above. . Used ARRI Ultra Prime 40mm T1.9 - PL - cvp.com

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